GMAT閱讀機(jī)經(jīng)整理：早期作品.

　　1月4日GMAT機(jī)經(jīng)已換，現(xiàn)在為大家整理的最新的1月GMAT閱讀機(jī)經(jīng)，這一篇是將早期作品的文章，分享給大家，希望對(duì)大家有所幫助，文中觀點(diǎn)僅供參考。

　　V1:寫東西的和自己得背景有關(guān)，還舉了一個(gè)叫Dent的人的例子，他是African American .還有一片Cox什么得不記得了，四道題

　　V2:(660)有一篇第一段是講作家前期作品會(huì)有影響到他的發(fā)展，第二段就是用這個(gè)方法來說一個(gè)具體的D,說前期的作品給后期帶來了很大影響。人我記得就是Tom Dent。但是這文章就 兩段，第二段講Tom Dent的很短，沒這么長

　　V3:說那些作家年輕時(shí)代的作品很多人都忽略了，有個(gè)叫作D的作家，他的作品受他年輕時(shí)候作品的影響

　　V4：(700 v35)講作家(記者)juvenile階段的風(fēng)格作品對(duì)成熟期的影響

　　P1. 很多寫人物傳記(biography)的作家 rarely consider the juvenile style of xxx(rarely有考點(diǎn)). BUT其實(shí)早期的風(fēng)格對(duì)后期的影響很重要(觀點(diǎn)), 后面是支持證據(jù)(迅速掃)，知道態(tài)度即可.

　　P2. 具體講了一個(gè)人(journalist)Dente吧. 說他成熟期很成功,然后講了他早期的一些成就,總之支持全文觀點(diǎn).

　　兩段很短建議自己讀1~2min就能掌握

　　記得一道題

　　Q3.問傳記作家對(duì)人物早期風(fēng)格是如何考慮的

　　A.Trivialized

　　B.Uncommon (樓主選的 rarely=uncommon)

　　其它選項(xiàng)忘了

　　V5：(v25) 黑人女作家那個(gè)。作家早年作品是被忽略的，但是發(fā)現(xiàn)是非常有用的。然后第二段里面舉了個(gè)例子。那篇考古基本上是原文的刪減，那個(gè)Juvile...什么的詞很關(guān)鍵。有考主旨題：我的答案是好像是develop trend。。。記不清了。

　　【考古】(已確認(rèn))

　　V1

　　P1：很多研究忽視研究作家的早期作品，而對(duì)早期作品的研究則對(duì)研究該作家觀點(diǎn)和寫作手法的形成有很大的價(jià)值。

　　P2：對(duì)Dent的早期作品研究發(fā)現(xiàn)他的作品的觀點(diǎn)什么的在他早期editorial的作品中就體現(xiàn)了，云云。舉例說一個(gè)B Den什么的人，對(duì)American African歷史和政治有subtle 觀點(diǎn)，發(fā)覺他的觀點(diǎn)主要源于他早期當(dāng)editor的工作，在那時(shí)候，他的編輯就顯示了他獨(dú)特的觀點(diǎn)，所以證明研究早期作品作用很大。一道題問作者認(rèn)為dent被認(rèn)為影響很大的原因?定位到第二段第一還是第二句，是dent對(duì)Africa American文化的見解有一道問B Den 的American African歷史和政治有subtle 觀點(diǎn)來源于什么?應(yīng)該選他的work說 他讀大學(xué)時(shí)當(dāng)編輯，對(duì)他后面很有影響，一題是邏輯題，看哪個(gè)選項(xiàng)weaken了這種說法。開篇有個(gè)和juvenile很像的詞，大概就是說青少年的意思還有formativ(adj. (影響)形成[構(gòu)成, 發(fā)展]的)這個(gè)詞我選了C, 說人后期和前期作品中有很大的break.

　　Q1. Which of the following would the author most likely to agree regarding the study on the early works of the writers一道題問作者認(rèn)為對(duì)作家早期作品的研究有什么特點(diǎn)?我選了這種研究比較少，也就是uncommon(罕見的)還有一個(gè)選項(xiàng)是 trivialized，剛查了是被輕視的意思，我覺得可能是后者，大家參考下其他考友的JJ吧~--> It is uncommon. (A confusing but incorrect choice is: The study is often trivialized. )

　　Q2. Which of the following would most seriously undermine the author&aposs argument in favor of the study on works produced by fledging writers -->Writers often make some radical change at some point of their career

　　(2) 主題題:如該題是內(nèi)容型:推測(cè)應(yīng)為其主題句改寫,即雖然作家早期的作品常常被人忽略(沒有學(xué)者愿意研究),但是研究這些作品(or經(jīng)歷)對(duì)其后來的成就有 正面的積極意義.大正小負(fù).;如果是寫法型主題題,推測(cè)應(yīng)為:提出一個(gè)現(xiàn)象,舉例說明這個(gè)現(xiàn)象.(舉例說明早年作品or經(jīng)歷對(duì)后期作品有影響) 最后一個(gè)題問的是文章的大意是?選項(xiàng)好像都是關(guān)于dent的，我選了對(duì)dent的早期作品研究的價(jià)值。

　　(3)有道題是問舉黑人作家的例子的目的(很可能是in order to題),第一段的最后一句總結(jié)句的同義變換.

　　V2 By 傻丫頭小佳

　　一篇是說對(duì)作家的研究常年忽視了他們年輕時(shí)代的作品或活動(dòng)，研究這些其實(shí)對(duì)研究writer之后的作品風(fēng)格都是有幫助的。然后第二段舉了一個(gè)人的例子，這個(gè)人以African American文化出名的，說他早年在學(xué)報(bào)擔(dān)任主編，還做過記者，說這些對(duì)他形成政治主張有幫助什么的。

　　原文：《The art of Tom Dent: notes on early evidence》(據(jù)本月750大牛牛說和原文很相近)

　　原文有大量例證多達(dá)三四頁，我經(jīng)過比對(duì)前人的機(jī)經(jīng)，將文章精簡到精確符合機(jī)經(jīng)描述的以下兩段(想看未刪減的童鞋可以直接檢索文章名找到那片超長的文章)：

　　Unless one is engaged in the task of writing a fairly comprehensive biography, the study of a writer rarely begins with attention to her or his juvenilia. A writer&aposs early attempts to overcome various anxieties of influence, to master the intricacies of language, and to forge a distinctive voice are either dismissed or trivialized. This habit, or perhaps convention, precludes opportunities to inquire into the origins of the writer&aposs ultimate achievement and power. Valid inquiries, of course, can be initiated at points other than the formative years. Nevertheless, our insights into the writer&aposs style and aesthetic might be strengthened by trying to identify the literary origins of creative production. This procedure is especially germane in forts to account for Tom Dent&aposs importance as an African American writer and intellectual.The governing presupposition for these notes is a claim about quality in writing. The art or skill that makes good writing is a possession of value and an activity of mind that is never exactly, as Richard Wright accurately proposed in "Blueprint for Negro Writing," on the page. The art is in perspective. The page is a catalyst for the engagement of the reader&aposs mind with that of the writer; they collaborate on a vision of reality, agreeing or disagreeing as the case might be. Thomas Covington Dent (or as he prerred, Tom Dent), a New Orleans writer best known for his work with Free Southern Theater and his extraordinarily popular play Ritual Murder, his electric mentorship of younger writers and artists, and his work in oral history that culminated in Southern Journey (1997), certainly had perspective in the sense that Richard Wright intended; Dent also had subtle political and historically analytic perspectives on African American cultures. These perspectives are richly manifested in Dent&aposs fledgling work as a journalist, specifically from writing produced during his tenure as editor-in-chi of the Maroon Tiger, the Morehouse College newspaper, during 1951-52. His editorials in Volume 53, Numbers 1-6, provide early evidence of what we are beginning to understand about his orientation toward reality, his aesthetic prerences, his complex and historically grounded modes of thought and expression. This evidence, crucial for a full assessment of Dent&aposs later work, marks Dent as a writer from the Black South who sought more than the vapors of fame.

　　在這篇關(guān)于早期作品的GMAT閱讀機(jī)經(jīng)，給出了文章的主旨，篇章結(jié)構(gòu)，段落大意以及相關(guān)題目，考生可以有選擇的看看，最后祝大家都能考出好成績。