【雙語(yǔ)閱讀】荷蘭設(shè)計(jì)師發(fā)明可變透明的“情欲裝”.

　　A dress which turns transparent when the wearer becomes aroused may soon be seen on the high street.

　　A dress which turns transparent when the wearer becomes aroused may soon be seen on the high street.

　　荷蘭設(shè)計(jì)師最新發(fā)明的一款“情欲裝”有望投向市場(chǎng)，穿著它的人只要一時(shí)“性致”大發(fā)，衣服就會(huì)自然變透明。

　　The dress, called Intimacy 2.0, is made of smart fabrics which become clear when electrified by a quickening heartbeat.

　　這款名為“親密2.0”的服裝以智能纖維面料制成，只要穿上它的人心跳加速，衣服就會(huì)受到電子感應(yīng)變成透明。

　　Award-winning Dutch designer Daan Roosegaarde created the dress out of leather, and smart opaque e-foils.

　　獲得多個(gè)獎(jiǎng)項(xiàng)的荷蘭設(shè)計(jì)師戴恩-羅斯加德以皮革和智能型不透明電子金屬薄片制作這套新裝。

　　It also uses wireless technologies, electronics, LEDs, copper and other media.

　　無(wú)線技術(shù)、電子學(xué)、LED、銅和其他媒介也都派上用場(chǎng)。

　　Daan calls his style of fashion &apostechno-poetry.&apos

　　戴恩稱(chēng)他的設(shè)計(jì)風(fēng)格是一首“技術(shù)詩(shī)歌”。

　　He said: &aposIntimacy 2.0 is a fashion project exploring the relation between intimacy and technology.&apos

　　他說(shuō)：“親密2.0是一個(gè)探索親密行為與科技之間關(guān)系的時(shí)尚項(xiàng)目。”

　　‘Technology is used here not merely functional but also as a tool to create intimacy as well as privacy on a direct, personal level which in our contemporary tech society is becoming increasingly important.’

　　“在這套衣服中，科技不僅扮演功能性角色，更可以在直接而私密的層次上營(yíng)造私生活和親密關(guān)系，而這些在我們的現(xiàn)代生活中正變得越來(lái)越重要。”

　　Daan is currently in talks to produce a fashion version of the dress, which responds whenever the wearer gets excited or embarrassed.

　　目前，戴恩正與他人洽談如何將這款服裝打造成時(shí)尚單品。穿上這款服裝的人不管是感到興奮還是尷尬，衣服都會(huì)變透明。

　　The futuristic dress has been put on display in China, and its creator Daan has won a string of awards, including the Dutch Design Award and China&aposs Most Successful Design Award.

　　這款前衛(wèi)現(xiàn)代的服裝作品曾在中國(guó)展示，設(shè)計(jì)師戴恩還獲得了多個(gè)獎(jiǎng)項(xiàng)，包括荷蘭設(shè)計(jì)獎(jiǎng)及中國(guó)最成功設(shè)計(jì)大獎(jiǎng)。

　　He has exhibited his work at the Tate Modern and the Victoria and Albert Museum, as well as at many other international galleries.

　　他的作品已在許多國(guó)際美術(shù)館展出，還曾進(jìn)駐英國(guó)泰特現(xiàn)代藝術(shù)館和維多利亞暨艾柏特博物館。